When I was finished this Snug I
decided I would try something a little different when taking photographs of
her. As you have seen with a lot of my work, I have taken photographs with a
plain, neutral background. I was taught in college to use as much natural light
as possible (not an easy task in a perpetually over cast country like Ireland ) and a
white or plain background to put the emphasis on your work rather than anything
else. I think these rules or guidelines were advised to help our work to look
professional and also, so as not to cause any confusion about what is being
shown.
This all makes absolute sense to me and I am
really happy with that style of photograph that I have taken. There are great
“how-to’s” on the internet these days to show you how to make DIY lighting
set-ups for taking pictures of your work. I am absolutely going to take
advantage of such resources in the future for documenting my art.
But as I was saying, with this Snug I felt like
trying something a bit different to capture her. I decided I would try to
photograph her in my work space surrounded by all the tools and materials that
went into making her.
My work area, at this time, was in what was
supposed to be the dining part of our house. We were living in a townhouse. It
had a separate compact kitchen but the living room and dining room were all
part of one long space at the back of the house. I used the dining room table as my work
station. I had one of those long fabric storage shelves for storing my wool and
an end table was choc-a-bloc with boxes of beads, threads, sewing kits,
drawing materials and old odds and ends from my art tool box.
There was also a computer in this area and a
whole wall of photographs, postcards and inspirational images to help with the
creative process. I liked working in that space I have to say. It was part of
the house and you could be always in the thick of things even if you were
working. The double doors in the back were also facing full south so if the sun
was shining the room was always bright and warm.
I have mixed feelings about how these
photographs turned out. I don’t think they are bright enough or clear enough to
use in a professional way, for example, for postcards or prints of my work. But
I do think they have some personality. She sits in the environment in which she
was created and so, looks comfortable and part of the whole scene.
I did go back to shooting my photographs in a
more neutral background after that but later on, I think it helped me to loosen
up and create some set-ups that were not only about show-casing my work but
were also about setting a scene.
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